|
WKAQ
– TV, Telenoticias
Puerto Rico
Designed in partnership with Design Director Jim Doyle, formerly of KXAS-TV
and Juan Miguel Guzman of Telemundo, this set features 360 degrees
shooting, a reversible and expandable interview area, LED light-cue
color changes, individual broadcast venues, stand up positions and a
live audience. |
 |
|
WBTV-TV
Charlotte, NC
This
set features a working weather center, a moveable two- to four-person
standup anchor desk, a skyline sculpture, multiple standup positions and
an interview set where the four-person riser is stowed behind the set. |
 |
|
WBRE-TV
Scranton/Wilkes-Barre, PA
This
set is another “Green Project.” Approximately 85% of the original set
was reused. The set features a working weather center, kinetic light
effects and a reversible “Graphic Wagon” for different looks. The
scenery is self-lit, cutting the inventory by nearly two-thirds. The
talent was lit using LightTech CFLs. |
BEFORE
AFTER
|
|
WLNE-TV
Providence, RI
This
set is an example of placing the money where the shot frames and within
the budget. All shots were greatly improved and the weather set received
a dynamic overhaul which included motion light effects. Re-lighting the
talent with LightTech CFLs was the crowning touch, offering the best
soft lighting available with the most accurate color rendition. |
BEFORE
AFTER
 |
|
WPVI-TV
Philadelphia, PA
-
a high tech Weather Center
-
multiple two shots and transitions
-
a 3D Glass Cityscape sculpture with
multiple light cues for time of day
-
a multipurpose interview area with
exchangeable and movable scenic pieces
-
kinetic light features
- in-desk LED talent uplighting
|
 |
|
KXAS-TV
Dallas/Fort Worth
Every set element is a reversible wagon. When each section of the set is
rotated 180 degrees, you have a new set.
One side is the interview pit for sports and the other orientation is the
interview pit for news and PSA.
Additionally, because the set elements are very large and need to be moved
around, the lighting needed to be high and minimal. To help with minimal
lighting, each of the set pieces generates its own light through the use
of light boxes and built-in fixtures.
All you have to do is spike the wagon and plug it in. Most of the lighting
is key and backlights for talent. The faux wood flooring is a special
vinyl aerobics floor designed to self-repair and made to take some
punishment.
The smaller sports "kiosk" is the highlights and anchor center for our
Sports Extra show and is also a wagon.
One person working alone can change the set in about 20 minutes.
|
 |
|
WFRZ-TV
Multi-purpose set for news delivery, interview and casual morning formats.
Can be easily changed by switching Duratrans.
|
 |
|
KSFY-TV
Sioux Falls, South Dakota
Features multiple two shots and anchor shots
Modern design that will last
Kinetic backgrounds
Practical high-tech weather center
Standup/interview area |
 |
|
Northwest Airlines
This set was designed by
extruding and extracting elements of the client's logo. |
 |
|
KIVI-TV
Boise, Idaho
Wonderful
mid-market
solution for around 100K. Features a great high-tech weather center and
kinetic backgrounds. |
 |
|
WJLA
Washington, D.C.
National Academy of Television
Arts & Sciences: Emmy nomination 2002
|
The 3D glass sculpture,
cut by a water-stream jet, represents the
national monuments in Washington, D.C.
It is the background for the anchor right single
shot; also used for promotions;
it has two lighting cues.
|
|
KATC
Lafayette,
Louisiana
KATC is a small-market solution, featuring an
in-studio weather center in main two-shot and a retractable 42" plasma
screen between two main anchors. |
 |
|
KXAN-TV
Austin, Texas
KXAN-TV features a translucent
cityscape in the main two-shot background. |
 |
|
KTAL
Shreveport, Louisiana
A smaller-market set solution. |
 |
|
WROC
Rochester, New York |
 |
|
KSNF
Joplin, Missouri |
 |
|
WCI
Champaign, Illinois |
 |
|
KBTV
Beaumont, Texas |
 |
|
KARE
Minneapolis
This set was installed in the
St. Paul Science Museum. It is used to broadcast from the museum and as a
venue to teach visitors about television. |
 |
|
KCBS
Los Angeles |
 |
|
KHOU
Houston
The KHOU prime news set was Emmy nominated and won Broadcast Design
Association, International, Silver Award for Outstanding Scenic Design. A
3D glass cityscape sculpture is used as an ultimate two-shot and anchor right background.
|
Interview set
News set
 |
|
KMOL
San Antonio
Single anchor right, interview set. |
 |
|
KTCA
Minneapolis
This set supports a reverse shot into a key wall framed by the crackled glass
columns.
|
 |
|
KTNV
Las Vegas
This set features a multi-directional riser to achieve many different looks.
|
 |
|
KXTV
Sacramento
This Emmy-nominated set was one of the first sets in the country designed
with HDTV in mind; shoots in 4:3 and 16:9 formats. It has multiple shots, an interview
area adjacent to the prime news set, and features movable risers for multi-purpose use. It
also has a 3D sculpture of the Sierras. |
 |
|
VH1
New York
Concept set for VH1 Music Line. |
 |
|
The Geraldo Rivera Show
New York
This set included art, sculpture and a mix of wood grains and custom-painted
finishes. The interview area accommodated one or as many as fourteen guests and provided a
video monitor for remote interviews.
|
 |
|
WCCO
Minneapolis
Another BDA Silver Award Winner for One-Time Use Election Set.
|
 |
|
WTMJ
Milwaukee
One section of a set that has a 300-degree shooting capability. Shows
stand-up presentation that doubles as a two-shot when the main news riser is rotated into
it.
|
 |
|
WWMT
Kalamazoo, Michigan |
 |
| |
|
